Angel in the Studio Women in the Arts and Crafts Movement 18701914

(Fifty–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sunday/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you lot've ever taken an art history grade or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Equally with other subjects, almost of what we learn about fine art history today notwithstanding centers on white men from Europe and, later, the United States. In reality, at that place are so many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a look at just some of the women who have had lasting impacts on their art forms. From some of the fine art world's most iconic pioneers to its virtually unsung heroes, these women artists all had a paw — and, in some cases, still have a hand — in changing the earth of fine fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney Academy in Pennsylvania for more than 30 years. Later studying the work of painters like Cézanne and Monet while abroad, she returned to the United states, becoming best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Ii photographs from Cindy Sherman's Untitled Moving picture Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was office of the Pictures Generation during the 1980s, and is perhaps nearly well known for her serial of Untitled Flick Stills (1977–eighty) — self-portraits in which Sherman "posed in the guises of diverse generic female pic characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A notwithstanding from the performance Cutting Piece, 1964, and a motion-picture show of the installation One-half-A-Room, 1967, equally seen at the Museum of Modernistic Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might first think of Yoko Ono equally a musician and activist, simply she's also an accomplished performance and conceptual creative person. Ono was considered a pioneer in the performance fine art movement, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cut Piece, was a operation she first staged in Japan; Ono sat on stage in a nice suit and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come up on stage and cut away pieces of her clothing. "Art is like animate for me," Ono has said. "If I don't do it, I starting time to choke."

Betye Saar

Betye Saar'south Black Girl's Window, 1969 (full and item). Photos Courtesy: Museum of Mod Art (MoMA)

Earlier condign a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in plough, part of the trajectory of fine art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the fox is to seduce the viewer," Saar has said. "If you can go the viewer to look at a work of art, and so you might be able to give them some sort of bulletin."

Frida Kahlo

People look at Frida Kahlo'south 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from United mexican states, she is best known for exploring themes like death and identity through her self-portraits. Kahlo frequently used bold, bright colors to create her symbol-rich works, and was regarded every bit ane of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors showroom at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, merely she'due south also known for her hyper-real sculptures, polka dots, installations, and so much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Erstwhile Beginning Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian'due south National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more common in portraiture writ big in the mid-19th century. Odds are that you lot recognize Sherald'south work — and her signature grayscale skin tones — equally she was the kickoff Blackness woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors abreast a work from her series, Pelvis Serial Red With Yellow in Albuquerque, New United mexican states. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you probable associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, only perchance, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York fine art globe, all past painting in her unique way.

Adrian Piper

Adrian Piper wins the Aureate Lion for all-time artist in Okwui Enwezor'south biennial exhibition All the Globe's Futures, role of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her piece of work to question lodge, identity, and racial politics by demanding the audience to confront truths virtually themselves. She oftentimes challenged people on the streets of New York to guess her race, socio-economical class, and gender — all while dressed equally a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her wearing apparel.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study fine art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, picture, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Every bit a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on diverse concepts, such as trauma, knowledge, and hope. One of her more than notable works, I Smell You On My Pare, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore'south art addresses identity and history — and, in particular, houselessness and the voicelessness of the Commencement Nations People in Canada. As an Anishinaabekwe creative person, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous woman to correspond Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Conservative' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is meliorate known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Trivial Taste Exterior of Beloved, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past pop culture and pop art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Fine art movement. Every bit exemplified in her iconic work The Dinner Political party, her installation pieces often examine the office of women in history and civilization — in the 1970s and earlier. While at California State University in Fresno, Chicago founded the first feminist art program in the United States.

Augusta Brutal

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, ofttimes of Black folks, Roughshod founded the Vicious Studio of Craft in Harlem in 1932, and, a few years later, she became the kickoff Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "body art". (Just await upwardly her about famous work, Interior Roll, and you'll run across what we mean.) She used her trunk to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal guild.

Nan Goldin

Nan Goldin'due south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's piece of work challenges traditional power relations. In addition to documenting New York Urban center's queer subculture mail-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this expect like an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of big-proper noun artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilization.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa'south terminal public commission was the Garden of Remembrance at San Francisco State Academy, which was created to recognize Japanese Americans who were interned during World War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing and then, displays various subcultures in formal portraits — but in a way that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Nonetheless from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Affect Award at the Indiecade Festival in 2020 and the Artistic Award from the Gender Justice League in 2016. She believes didactics is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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